Send an accusation and the muse can only answer with “guilty” or “not guilty.”
He likes the clinical terminology for this extremely commonplace crime. He’s fairly certain he does it as often as he bathes in luxurious scented bath salts, which is to say, daily.
Send an accusation and the muse can only answer with “guilty” or “not guilty.”
The Master’s legendary hubris falters. Momentarily.
The accusation may refer to any number of people, but is likely to refer to Bill Potts. She was his coup de grace of long-cons, a decade-long sting on the Doctor’s desire to be the salvation of all.
And he is far less proud of that, in retrospect, than one might expect. Long, painful conversations with the twelfth and thirteenth faces of the Doctor have resulted in something perilously akin to shame.
Because really, despite his nasty cracks at her “boring” personality, Koschei liked Bill. She was smart, easygoing, and far from petty in the way that humans ordinarily are. He did, after all, learn all the mundanities of her personhood, in those ten years: her favorite toothbrush color and gum flavor. The music she’d play while working out. What gave her insomnia. The name of the first girl she kissed.
Which makes the whole betrayal ten times as horrifying. He knows that. He knows.
Send an accusation and the muse can only answer with “guilty” or “not guilty.”
“Well, guilty, of course. You wouldn’t have ‘asked’ had you not already known.”
The Master licks his lips and looks away, realizing that in this particular case even he isn’t tasteless enough to laugh.
Moreover using Lucy Cole as a pawn and prop in the perfect disguise of a respectable human politician was a massive miscalculation on his part, akin to his underestimation of Martha Jones. Not only did she kill him once for courting and then discarding her; she also botched his resurrection, and was directly responsible for his dependence upon the Council and Court of Rassilon, inside the Timelock, to “cure” him (far from it, they only attached strings to him that he later had to painfully sever).
Lucy has always reminded good old “Harry” far too much of Ailla.
But once again, the subsequent company of the Doctor has given him cause to reach out to Lucy and her surviving family, anonymously, with donations of fiscal aid, and access to mental health rehabilitation services.
He is not about to admit this “weakness” of compassion to a stranger, however.
What is the biggest headcanon deviation from the canon
material that you have incorporated into the way you write your muse? Why did
you come up with it?
Do you have any controversial headcanons that go against
what is generally accepted by the fandom? Do you incorporate this into writing
your muse or keep it to yourself?
What is something that was never addressed at all in the
canon material that you have independently developed for your muse?
Have you made any outright changes to the canon material in
order to write your muse the way you wanted (entire scenes you chose to omit,
chapters you say never existed, things you assume were never said, etc.)?
What is an aspect of your muse’s canon material or canon
existence that you never had the opportunity to explore but really want to?
What is the general opinion of your muse’s fandom about
them? Do you agree with it?
For movie or TV muses, what is your muse’s favorite scene? Why?
Can you show a screenshot?
For movie or TV muses, what is a scene with your muse that
you hate? Why? Can you show a screenshot?
For movie or TV muses, what other character played by your
muse’s actor/actress has a lot in common with your muse?
For book muses, what is your muse’s favorite scene? Why? Can
you provide a short excerpt?
For book muses, what is a scene with your muse that you hate?
Why? Can you provide a short excerpt?
For book muses, what other character from a book or book
series has a lot in common with your muse?
What canon character do you really wish your muse could
interact more with?
What is your ideal AU for your muse?
What plots/interactions leave you feeling protective of your
muse?